“Jigsaw and Algiers’” Appeal is No Puzzle. - (No Comments)

By Richard Murphy, posted on Friday, January 16th, 2009

What do the movie Casablanca and the cartoon character Pepe Le Pew have in common? No, this is not a trick question. They were both influenced by Algiers. Pepe Le Pew is the amorous deep voiced skunk who is based on Pepe Le Moko, played by Charles Boyer in Algiers. The dark, smoldering Gallic lover is certainly more suave than the skunk.

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French Accents, Kisses, and Murders! Just What is this “Charade?” - (1 Comment)

By Maribeth Theroux, posted on Tuesday, November 25th, 2008

The thing I really liked about Charade is how the film is a little of everything: thriller, mystery, romance, comedy. Grant and Hepburn are strangely composed considering that the threat of murder is all around them. They find time for comedy, romance, and dinner on a riverboat. The least you can do is find time for Charade.

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“Winter Lily” Wilts - (No Comments)

By Johanna Kendrick, posted on Monday, November 24th, 2008

From the opening moments of the film, as the camera moves across the barren winter landscape, Winter Lily creates a desolate world which nonetheless draws viewers into its cold embrace. Canadian filmmaker Roshell Bisset uses Winter Lily to explore some bizarre and disturbing themes, using a beautiful setting and talented cinematography to contrast these sometimes off putting themes.

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Vienna After Dark - “The Third Man” - (2 Comments)

By Richard Murphy, posted on Monday, November 24th, 2008

Growing up in the fifties, tv was black and white. Our family was probably the last to get color. I thought it would be nirvana when we got to see everything in different hues. As one gets older, it is hoped, tastes become more sophisticated. So it is that one realizes, monochromatic cinema oft has its own charm. After viewing The Third Man, you will realize it would have been poorer in color.

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