The French Are Better Lovers Than Spies- “A Few Days in September” - (No Comments)

By Richard Murphy, posted on Friday, February 13th, 2009

Ah, poor Juliette Binoche. Ten years after her triumph as the nurse in the English Patient. Six years after her signature role in Chocolat. Still lovely in her forties. What could be wrong? Well, I suspect that she must be horribly upset that she was cast as Sarah Palin in a movie that came out two years before anyone knew, probably least of all Juliette, who the heck Sarah Palin is. The physical resemblance would be uncanny, but Mademoiselle Binoche tops it off with glasses and makes it even more eerie. Her voice doesn’t carry the Western twang of La Palin, but other than that, sounds like her, Of course, it is surreal in that Juliette gets to play with guns, just like the pistol packin mama from Alaska.

See full post

“Jigsaw and Algiers’” Appeal is No Puzzle. - (No Comments)

By Richard Murphy, posted on Friday, January 16th, 2009

What do the movie Casablanca and the cartoon character Pepe Le Pew have in common? No, this is not a trick question. They were both influenced by Algiers. Pepe Le Pew is the amorous deep voiced skunk who is based on Pepe Le Moko, played by Charles Boyer in Algiers. The dark, smoldering Gallic lover is certainly more suave than the skunk.

See full post

“The Strange Woman” and “The Man Who Had Influence” - A Tough Babe and a Master Manipulator Meet Their Matches - (No Comments)

By Richard Murphy, posted on Wednesday, January 14th, 2009

If you were looking for a strong woman from the Twentieth Century, Hedy Lamarr was your gal. Held prisoner by her spouse in a castle, she escaped husband and native Austria by convincing him to allow her to attend a party with all of her valuable jewelry. With the help of the maid, her husband was drugged and she escaped the country with some assets, not the least of which was her mind.

See full post

Vienna After Dark - “The Third Man” - (2 Comments)

By Richard Murphy, posted on Monday, November 24th, 2008

Growing up in the fifties, tv was black and white. Our family was probably the last to get color. I thought it would be nirvana when we got to see everything in different hues. As one gets older, it is hoped, tastes become more sophisticated. So it is that one realizes, monochromatic cinema oft has its own charm. After viewing The Third Man, you will realize it would have been poorer in color.

See full post